HABEAS CORPUS-Alan Bennett's London farce, set In a suburb of an English seaside resort. GREASE-A rock‐'n'‐roil musical that tries to transport us back to those dear dead days when Elvis was still renowned for his pelvis, with a cast that works with manic enthusiasm. It is also funny when it needs to be funny, touching when ? needs to be touching and most meticu!only observed.” He also thought the performances were splendid.
Clive Barnes stated, “If is a clay of delicacy, tact and passion. Maureen Stapleton, Pamela PaytonWright, Rip Torn, Pauf Rudd star. THE GLASS MENAGERIE-A revival of Tennessee Williams's 1915 ‐drama about a fading Southern belle, her daughter who is a victim of circumstances and a son on point of departure for his own life.
tablishing the play's intellectual premises at Its opening with a bitter, penetrating clarity.” Plymouth. Perkins has matured enormously as a performer, risen firmly above his boyish ‐appearance to give commands with curt authority, es. “The closest I have seen a contemporary play come to reanimating the spirit of mystery that makes the stage a place of breathless discovery.” (Kerr) Anthony Perkins and Thomas Huice star. Is probed, principally on the matter of sexuality. The doctors psyche, as well as the boy's. Kerr added, that director Joel Zwick “handles his manic mannequins expertly,” Scott Johnson designed “most handsomely,” but that “we are caught up short by the clinkers that spoil themselves out verbally.” Mayfair.ĮQUUS-Peter Shafter's Tony award‐winnine play about a stable boy who blinds his beloved horses and thereafter under? treatment. It's altogether too heavy to let the slender, foolish story breathe.” 46th Street Theater.ĭANCE WITH ME-“A likable performerwriter named Greg Antonaccl has tried to find a musical comedy form In the formlessness of our subway‐rattled, sexdriven but sex‐starved, frenetically lonely vet forever lostled lives.” (Kerr) Mr. It Is brassy, sassy, raunchy but mechanical.” Walter Kerr noted that “‘Chicago's’ problem is ono of atmospheric pressure. Barnes felt that “despite Its disappointments (Chicago) Is easily one of the best musicals of the season. Fosse, the stars are Gwen Verdon, Chita Rivera and Jerry Orbach (“superlative, knock‐em‐inthe‐aisles Performances,” according to Clive Barnes). Broadway.ĬHICAGO-A musical by Bob Fosse, Fred Ebb and John Kander, revolving around the corruption of the Chicago criminal system In the twenties. “A musical for people who like serious theater, in addition to people who lust like musicals” (Barnes), with an ambitious score. Voltaire might be fuming over in his grave, but probably In a bellyroll. Lyceum.ĬANDIDE-A giant fun‐house of environmental theater with a perfect cast. “A virtual anatomy of social laughter, perhaps of the comic Minas itself.” (Kerr) Music Box.ĪNGEL STREET - Patrick Hamilton's 1941 thriller, starring Dina Merrill and Michael Allinson. at Helen Hayes.ĪBSURD PERSON SINGULAR-A comedy by Alan Ayckbourn, about six social strivers (Geraldine Page, Marilyn Clark, Scott McKay, Sandy Dennis, Paul Shyre and Curt Dawson) viewed In the past, present and future.
but also the period.” Closes today at Brooklyn Academy. FAMILY-“A play that merely means to make amusement out of that fortune‐cookie message, There's no Business Like Show Business' The Play achieves this so well because it Is written so well.” (Barnes) It takes place In 1927, In New York, In the East 50s and stars Rosemary Harris, Eva La Gallienne, George Grizzard and Sam Levene-“a cast even Noel Coward would have called ‘divine.’ ” Directed by Ellis Rabb, “who offers a perfect Insight not only into a play. MURDER AMONG FRIENDS-Janet Leigh and Jack Cassidy in a mystery by Bob Barry, which Involves murder and blackmail In the lives of a celebrated stage actor, his wealthy WIN and his agent. Book by Roland Kibee and Albert Marre, music by Mitch Leigh and lyrics by Charles Burr and Forman Brown.
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